Wednesday, November 27, 2019

buy custom Educational Creed essay

buy custom Educational Creed essay I believe education should transcend all boundaries and give opportunities to all children to realize their maximum potential regardless of race, religion, disability or economic status. In the 21st century, it is hard to imagine that there are places in the world, where children have no opportunity to get a decent education. To feel oneself comfortable in the modern changing and complicated world, all individuals must have an access to different educational institutions in early stages of their life as well as throughout their whole lives. Having equipped by learning opportunities, children can realize their maximum potential in studying, development of their various skills and abilities that they will later can provide in their future life and work (Blum, 1998, p.28). Schools, colleges and universities must be perfect educational establishments for students of different backgrounds, religions, races, disabilities and economic status. For this reason, the USA is the best place for c hildren from any part of the world who are coming to live and study as immigrants and native citizens. Transcending all those boundaries, the educational system may help students to feel free and comfortable in the modern society that is an important tool for better education. Once the governments can provide these opportunities, they, therefore, protect their citizens and countries by learning how to live together in peace and harmony for better prosperity of their nations (Aleman, 2001, p. 485). I believe the school is a place where students` basic needs are met so they feel safe, secure and free to learn in an unbiased atmosphere that believes in their ability to reach their full potential and become life-long learners. Every educator needs to remember that students dont care about what they know until they know they care. The school is the first stage in children`s life where they may be responsible for their work, i.e. their studies. It is really very important for educators to help young people to feel themselves secure and protected in the course of their studies. Only feeling themselves protected and comfortable, individuals can possess their potential abilities, get necessary knowledge and skills from their studies. Creating friendly and peaceful atmosphere, teachers as well as students can master their studies in order to have perfect knowledge in different fields of studies and gain better grades that are also very important for their self esteem and satisfaction (B igler, 1999, p. 35). I believe schools have the responsibility to connect the social boundaries of the community with the developmental indicators that drive the social interactions of students. Schools cannot treat these two denominators as separate elements when educating youth. The social interaction of students in schools is an essential tool which makes the whole educational process effective. Connection of the social boundaries and development of students` skills and abilities can be the great instrument of the establishment of better education and understanding as well as communication among all the participants of the educational process, i.e. teachers, students and their parents. To learn how to exist, study, interact creatively among all those participants of the educational process, will lead to achieve better developing and understanding of students` origins, customs, traditions, history and backgrounds (Aleman, 2002, p. 491) I believe schools need to work diligently to see the forest beyond the trees. By focusing on where students need to be, schools can formulate detailed plans on how to get there. Governments and schools must provide honest and accountable programs in order to provide high quality training for their students. These programs may help children to study and develop their talents, skills and abilities according to their opportunities (Blum, 1998, p.30). Having such opportunities, give children the awareness of their human dignity and better future, which are based on their traditions, value of caring and responsibility. Buy custom Educational Creed essay

Saturday, November 23, 2019

Potential Energy Definition and Formula

Potential Energy Definition and Formula Potential energy is that energy which an object has because of its position. It is called potential energy because it has the potential to be converted into other forms of energy, such as kinetic energy. Potential energy is usually denoted by the capital letter U in equations or sometimes by PE. Potential energy may also refer other forms of stored energy, such as energy from net electrical charge, chemical bonds,  or internal stresses. Potential Energy Examples A ball resting on top of a table has potential energy. This is called gravitational potential energy because its energy the object gains from its vertical position. The more massive an object is, the greater its gravitational potential energy. A drawn bow and a compressed spring also have potential energy. This is elastic potential energy, which results from stretching or compressing an object. For elastic materials, increasing the amount of stretch raises the amount of stored energy. Springs have energy when stretched or compressed. Chemical bonds may also have potential energy, as electrons can move closer or further away from atoms. In an electrical system, potential energy is expressed as voltage. Potential Energy Equations If you lift a  mass  m  by  h  meters, its  potential energy  will be  mgh, where  g  is the acceleration due to gravity. PE mgh For a spring, potential energy is calculated based on Hookes Law, where the force is proportional to the length of stretch or compression (x) and the spring constant (k): F kx Which leads to the equation for elastic potential energy: PE 0.5kx2

Thursday, November 21, 2019

Embedded Systems Engineering Assignment Example | Topics and Well Written Essays - 3750 words

Embedded Systems Engineering - Assignment Example If the blood alcohol content (BAC) of the driver is more than the defined value, the system locks the ignition disabling he vehicle from starting. For many years the society has experienced drunk driving as a major problem which has claimed so many innocent lives apart from just the drunk drivers. The system not only prevent drunken drivers from driving while intoxicated, but also save many innocent lives who may fall victims of drunk driving. Executive summary An automated breathalyzer in most countries is fixed in convicted drunken drivers vehicles in order to control the vehicle ignition under the conditions that the driver’s blood alcohol content is from the sample breath is below a certain defined alcohol level. The automated breathalyzer engine ignition switch will act as safeguard ensuring that drunken drivers who are not fit to drive are out of the road. It is highly accurate as compared to the manual ways of preventing drunken drivers from driving in that it does not the ignite the car in case the blood alcohol content is above the defined amount. ... That is, if the level of blood alcohol content is higher than the defined value, then the system automatically locks the vehicle’s ignition preventing the engine from starting. It therefore ensures that drunken drivers who are not fit to drive are eliminated from the road thus prevent accidents. Problem statement Public safety calls for the elimination of drunken drivers from the road in order to reduce accidents mostly related to alcohol. Statistics indicate that about 38% of the road accidents are alcohol related. Loopholes exists in the current system used to test drunken drivers on their ability to drive in that a driver who might be breaking the legal limit for blood alcohol still has the potential to pass the roadside sobriety tests. This is because the roadside sobriety tests such as testing if the drunken driver can walk in a straight line are manually done and their accuracy is quite questionable. Objectives A general objective of the automobile breathalyzer ignition interlock system is to prevent drunk drivers who are not fit to drive from driver by automatically locking the car’s ignition system unless the driver’s BAC value is lower than the defined limit meaning that the driver is sober enough to drive. Nearly 38% of road accidents are alcohol related while curbing the problem of drunk driving has proved difficult through the use of the other manual ways, the automobile breathalyzer ignition interlock system precludes the possibility of an accident and other incidents related to drunk driving such as revoking offenders’ licenses altogether. The system should be able to disable the car’s ignition system should it be found that the BAC value of the driver is higher than the defined limit depending on the state or country.

Wednesday, November 20, 2019

TNT Express Scenario Assignment Example | Topics and Well Written Essays - 1000 words

TNT Express Scenario - Assignment Example Review the issues involved in the strategic planning process of TNT.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   In terms of saving the planet, this will be possible with the recent introduction of less carbon emission engines. As time goes by, more and more companies are coming up with cars that save in terms of fuel and reduce CO2 emissions. There has also been an introduction of electric powered cars; however, they are not fully designed in terms of efficiency as most of them have a problem when it comes to battery power.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   It is possible for them to be a leading company in the freight business as more and more people are now in a position to make purchases through the net and ship to them. They should tap into the upcoming e shops that are established daily and offer cheap but efficient services to its potential customers. They can also talk to the already established e shops to expand its services to them.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   In order to gain customers and add value to the business, they need to focus on customer satisfactory first. This is through ensuring that there are no loop holes in the system and have a great 24/7service to all its customers. Updating the customer about his/ her shipment will make them trust you that all is well and you care more about them than the money they bring in.

Sunday, November 17, 2019

Hybrid electric vehicle Essay Example for Free

Hybrid electric vehicle Essay QD = f? P, PS, PC, Y, A, AC, N, CP, PE, TA, T=S †¦? [2. 1] where QD = quantity demanded of (e. g. , Toyota Prius or Chevy Volt) P = price of the good or service (the auto) PS = price of substitute goods or services (e. g. , the popular gasoline-powered Honda Accord or Chevy Malibu) PC = price of complementary goods or services (replacement batteries) Y = income of consumers A = advertising and promotion expenditures by Toyota, Honda, and General Motors (GM). AC = competitors’ advertising and promotion expenditures N = size of the potential target market (demographic factors) CP = consumer tastes and preferences for a â€Å"greener† form of transportation PE = expected future price appreciation or depreciation of hybrid autos TA = purchase adjustment time period T/S = taxes or subsidies on hybrid autos QS = f? P, PI , PUI, T, EE, F, RC, PE, T=S †¦? (Equation 2. 2) where Qs = quantity supplied (e.g. , of domestic autos) P = price of the autos PI = price of inputs (e. g. , sheet metal). PUI = price of unused substitute inputs (e. g. , fiberglass) T = technological improvements (e. g. , robotic welding) EE = entry or exit of other auto sellers F = accidental supply interruptions from fires, floods, etc. RC = costs of regulatory compliance PE = expected (future) changes in price TA = adjustment time period T/S = taxes or subsidies. Product A is more riskier as Std dev / mean = 0. 8 and for Product B it is 0. 5 thus A is more riskier Not yet rated Anonymous 1 hour later fot this we will calculate the coefficient of variation of both the product. coefficient of variation= SD/meanx100 coefficient of variation of Product A= 40000/50000100= 80% coefficient of variation of Product B= 12500/250000100= 5% higher the coefficient of variation higher will be the risk, therefore Product A is more risker.

Friday, November 15, 2019

Essay --

Disha Shah Email Id: disha.shah2015@sims.edu 1st year (2013-2015) K R Shyam Email Id: kr.shyam2015@sims.edu 1st year (2013-2015) Symbiosis Institute of Management Studies, Pune How good or bad is India's Food Security Bill The National Food Security Bill, a dream envisioned by Sonia Gandhi, has taken sail. However, what remains to be seen is whether this Congress dream-boat will succeed without sinking the entire country into a bottomless pit of debt. Intended to work as a firewall to the innumerable scandals the government has been embroiled in, it promises food: the roti component of the roti, kapda and makaan trio. It stands not just as a basic service but also as an emotional call for votes. Rahul Gandhi incorporates it into his political campaign saying, "Poori roti khayenge, 100 din kaam karenge, dawaiee lenge aur Congress ko jitayenge" (Eat full roti, work for 100 days, receive free medicines and vote for Congress). Food Security: The mother of all Vote bank schemes The Bill proposes to provide food grains at subsidised rates to two thirds of the country’s population. Poised to be a game changer for the Congress party in terms of garnering the favour of the electorate, the bill was brought into the picture right before the 2014 elections: a move that the Congress hopes will ensure a hat-trick. Sam tactic was applied previously in the 2009 elections through the MNREGA scheme. However, all this will come at a huge cost to the Indian economy which is already in deep crisis. Fig 1: Poll Math Source: Business Standard Journey: Initial Setbacks to Acceptance Amongst Political Class The Food Security Bill has seen its share of initial hiccups while it was tabled in front of UPA’s cabinet for approval. Sharad Pawar, the then a... ...security Bill. However, it needs to be seen if the Indian government can manage the world’s largest food security programme without getting entangled in another scam of sorts. References http://www.firstpost.com/economy/sc-backs-centre-on-cutting-diesel-subsidy-to-bulk-consumers-1112503.html http://en.wikipedia.org/wiki/National_Food_Security_Bill,_2013 http://www.firstpost.com/india/shocker-india-constitutes-40-percent-of-worlds-malnourished-children-916359.html http://articles.economictimes.indiatimes.com/2013-08-30/news/41583434_1_food-security-bill-current-account-deficit-food-subsidy http://www.firstpost.com/economy/food-bill-is-the-biggest-mistake-india-might-have-made-till-date-1062841.html http://forbesindia.com/article/special/the-good-and-bad-of-the-food-security-bill/35135/1 http://www.deccanherald.com/content/213752/food-security-bill-good-politics.html

Tuesday, November 12, 2019

Indian Film Industry Bollywood Essay

The entertainment industry in India has outperformed the economy and is one of the fastest growing sectors in India. However, it registered a moderate growth of over 6 per cent in 200.The industry is expected to grow from Rs. 166 billion (U.S. $ 3.45 billion) to Rs. 419 billion(U.S. $ 8.72 billion) by the year 2007. Film entertainment is the most popular form of entertainment and it is this undiminished passion through the decades that has driven India to become the largest producer of films in the world. Since 1931, when talkies were introduced in the country, the film industry has produced more than 67,000 films in more than 30 different languages and dialects. The film industry recorded a loss of Rs. 3 billion (U.S. $ 62.5 million) in gross revenues of Rs 39 billion (U.S. $ 812.5 million) in 2002. But, it is expected to grow annually by 19 per cent to reach Rs. 93 billion (U.S. $ 1.93 billion) by 2007. The industry produced 1200 films in 2002, and 1,013 films in 2001, up from 855 films in 2000. While Hindi films continued to be the largest segment in 2001 (23 per cent share), south Indian language films (Telegu, Tamil and Malyalam) have seen growth in their shares. India’s movie industry is a great sector for foreign investment by corporatized entertainment companies. Though risks are high on a per-movie basis, the risk spreads out across a number of films. However, the domestic filmmaking industry, despite its profligacy, is yet to acquire the character of professionalism on a large scale. BRIEF HISTORY OF INDIAN MOVIE INDUSTRY When the Lumiere Brothers’ first films were shown at Bombay’s Watson’s Hotel in 1895 or when Dadasaheb Phalke released his epochal feature film Raja Harischandra in 1913, it is unlikely that either the exhibitors or the pioneer film maker realised they were unleashing a mass entertainment medium that would hold millions in sway for the next hundred years; that they were spawning an industry that in years to come would overtake the rest of the  world in film production! For most Indians, cinema is integral to their lives; it is not a distant, two to three hour distraction, but a vicarious lifestyle for them. The large screen provides an alternative, an escape from the realities of day-to-day life. The protagonists are totally identified with, the hero is applauded, the virtuous is worshipped and the villain is condemned. The actors and actresses are household names; there is no escaping their omnipresence, from the Paanwala (betel vendor) to the most revered Indian painter – they are all caught up with the magnetism of screen personalities. A study of the vicissitudes of Indian cinema would throw light on the progress of technology, especially cinematography, and the changing political scene and social mores and attitudes. The silent films launched by Phalke, which had titles in English, Gujarati, Hindi and Urdu, by and large related to myths and legends. The stories were familiar to the audience and required minimum commentary. Historicals also proved very popular; Harsh, Chandragupta, Ashoka and the Mughal and Maratha kings strode the silver screen amidst cardboard pillars and in tinsel costumes. Strangely enough, while in the nineties we are still arguing over whether or not ‘kissing’ should be shown on screen, in the first decade of Indian cinema, with the British paying scant attention to censorship except when the Establishment was attacked in any way; leading heroines of the day kissed their leading men without inhibitions, like Lalita Pawar in Pati Bhakti (1922)! With the advent of Gandhiji came the plea for according a better status to women, the removal of untouchability and a cry for religious harmony. The silent era of Hiralal Sen, Baburao Painter and R. Nataraja Mudaliar came to an end when Adershir M. Irani produced his first talkie, Alam Ara in 1931. If Phalke was the father of Indian cinema, Irani was the father of the talkie. The classic Hollywood musical Singing in the Rain exemplifies the cynicism with which people first regarded the talking movie and this holds good for India too. There were too many gargantuan problems to be tackled; there were no dialogue writers, no lyricists; songs had to be sung during the filming as prerecording facilities were yet unknown. Minimum instruments  were used as the instrumentalists had to be camouflaged behind the singer. A quaint story goes that during the filming of a song the actress was getting agitated as the tabla beat was too fast. Finally the shooting had to be stopped and a hapless tabla player was pulled out of the pool where he had been hidden. â€Å"What can I do,† he cried, â€Å"a fish got into my dhoti (loin cloth)†. But the talking film had come to stay. Considering that even the silent film had a preponderance of songs, the talkie came to be more of a single; the heroes and heroines sang their way through the three-four hour movie. Histrionics and appearances counted less; a singing talent was all that mattered. To this day the Indian film song has a unique thrall. The music director, the song writer and the playback singers have an unparalleled status in India’s cinema. If Bombay was the hub of early cinema the other centres were not far behind; Calcutta and Madras with their own patriarchs were also making path-breaking films. Chandidas a film glorifying the Bhakti movement and castigating casteism, directed by Debaki Bose in 1932 for New Theatres, was lauded for its use of background music and dramatic narrative. K. Subrahmanyam’s Thyaga Bhoomi (1939) and Seva Sadan both advocated women’s rights and self-dependence. Seva Sadan also introduced to the world through the silver screen, the great singer M.S. Subbalakshmi, who came to be immortalised for her role in and as the poet-saint Meera both in Hindi and Tamil. While it is almost impossible to even list all the luminaries of Indian cinema over ten decades, the Wadia Brothers deserve special mention, before going into the different genres. JBH and Homi Wadia were the forerunners of the stunt film – the thirties was a period in Indian cinema when ‘Wadia’ and ‘Nadia’ were synonymous. Australian by birth, Mary Evans came to India with a dance troupe. She was asked to do a number for JBH’s Noor-e-Yman; she changed her name to Nadia. â€Å"Besides being a lucky name, it rhymes with Wadia†, she is reported to have said, and through various circumstances she became stunt actress for the Wadias, earning the sobriquet â€Å"Fearless Nadia†. The Wadias had a fixation for trains and made a number of films titled,  Toofan Mail, Flying Ranee, Punjab Mail and so on. Nadia got so used to sitting on roof top of trains for her stunts that she became reluctant to step off and even demanded her lunch be sent up! The true stunt woman, she grappled with a lion, did the trapeze, carried a calf and a man over running trains – it is unlikely there could ever be another actress like Nadia. She married Homi in 1960, and breathed her last recently. The forties was a tumultuous decade; the first half was ravaged by war and the second saw drastic political changes all over the world. Film-makers delved into contemporary themes. V. Shantaram, the doyen of lyrical films, made Dr. Kotnis Ki Amar Kahani – a tribute to Dr. Dwaraknath Kotnis who went out with a medical team to China and died there. Shantaram’s other films were reformist but visually appealing, like, Do Aankhen Barah Haath, Pinjra, Chaani. But there were films where pure artistic merit supersedes social message as in Jhanak Jhanak Payal Baaje and Geet Gaya Pattharon Ne. South Indian films also gained great footing. AVM and Gemini were two of the most prolific producers turning out social drama in the South Indian languages as well as in Hindi. While the thespian actor Shivaji Ganesan delivered mind boggling soliloquies on screen, many of the politically inclined writers and actors of the south Indian screen began to use the medium for reaching out to people. The DMK stalwarts, Annadurai, Karunanidhi and MG Ramachandran did not even resort to subtlety. â€Å"Naan anaittal adu nadandu vital†¦Ã¢â‚¬  sang MGR, (if I could be the decision maker, the poor of this world will not suffer†¦.†). The very titles of the films were chosen with care; Rickshakaran (Rickshaw Driver), Muttukara Velan (cowherd Velan) and En Kadamai (my duty) to convey his identification with the masses. No wonder he was hailed Makkal Thilagam (gem amongst people). Just how effective was the use of the medium was amply proved with the party coming to power and MGR getting voted Chief Minister of the state. The other star who used the screen image to great advantage was N.T. Rama Rao of Andhra Pradesh. The veritable screen god, NTR played the role so often that he began believing in his divinity. Apparently so did a lot of other people in Andhra, which is why we had a second screen hero from south as Chief Minister. While the south was busy wooing the public for votes, Bombay was either turning out escapist fare, light, happy, musical films with Dilip Kumar, Raj Kapoor, Dev Anand, Shammi Kapoor, Kishore Kumar, Nargis, Madhubala, Nutan, Geeta Bali, Mala Sinha and others or gave the audience absolute tear jerkers with social melodrama. This was the golden era of music. Shankar- Jaikishan, O.P. Nayyar, Madan Mohan, C. Ramchandra, Salil Chaudhury, Naushad, S.D. Burman – all had their distinctive sway. Each vied with the other to produce some of the most unforgettable melodies India has ever known. This was also the age of innocence; the screen was black and white, the vamp and the heroine did not merge, they had their domains, there were no shades to the hero, a man was all good or rotten to the core. No double entendres were woven into the songs and even the vamp was decently attired on the screen. This was the era of Raj Kapoor, of Shree 420, Awara, Boot Polish, Jagte Raho, Chori Chori and of course his magnum opus Mera Naam Joker – he was still making and acting in enduring films, the tramp who is not able to cope with the pace of the world. He caught up with times and his films changed with Sangam, Jis Desh Mein Ganga Behti Hai, Satyam Shivam Sundaram and Ram Teri Ganga Maili. Dilip Kumar and Guru Dutt were excellent foils to the chocolate-faced heroes as tragedy kings. So were Meena Kumari and Bina Rai amongst the heroines. But such was their versatility that they could also carry off comedy effectively. Two outstanding Hindi films of the fifties that deserve mention are K. Asif’s Mughal-e-Azam (took 14 years to make and is one of the most lavishly produced historical of Indian cinema) and Mehboob Khan’s Mother India, which is said to have gained the status of Gone With the Wind. In the meantime in Bengal, the man who was to take Indian cinema to the international arena and win accolades from the greatest film- makers, Satyajit Ray, released his first film, Pather Panchali (1955). After his trilogy there was no looking back for him or for cinema from Bengal. Mrinal Sen conveyed his quiet commitment to socialism through films like Calcutta, Oka Orie Katha (Telugu) and Bhuvan Shome. Director Ritwik Ghatak gave us memorable films Meghe Dhaka Tara and Subarnarekha. Although Bengal also came up with films that asked for a willing suspension of disbelief, these were  exceptions rather than the rule as in Bombay films, where the Mukherjis, Sippys, Chopras, Chakraborty and Manmohan Desai produced one bonanza after another for the masses and laughed all the way to their banks. There was no market for serious films, it was felt, and the classics that failed to break even like Guru Dutt’s Kagaz ke Phool and Raj Kapoor’s Mera Naam Joker, only strengthened the conviction. The former committed suicide and the latter resorted to the populist fare with Bobby. It was only after the government set up the Film Finance Corporation (FFC, which in 1980 came to be known as NFDC i.e. National Film Development Corporation) that several small but serious film makers got the wherewithal to make films, notable among them being Mani Kaul, Kumar Shahani and GV Iyer (with his maiden venture in Sanskrit, Adi Sankaracharya). The Corporation also partnered the making of Attenborough’s Gandhi and financed Satyajit Ray’s Ghare Baire which was to be one of the last films of the master. Like cinema in Bengal, Malayalam cinema too was meaningful but it took a longer time to get noticed. In fact it was Ramu Kariat’s melodious tragedy Chemmeen winning the President’s gold medal in 1965 that drew attention to Malayalam cinema. Adoor Gopalakrishnan (Swayamvaram) and others all gained similar recognition in the years to come. With actor Prem Nazir doing stellar roles in a record breaking 600 films, Malayalam films have come to be characterised by simple narration of powerful stories, authentic locales and low cost production. The Karanth (BV) – Karnad (Girish) combine have produced two milestone Kannada films Vamsa Vriksha and Samskara, both essentially iconoclast in treatment. Though much talked about, the critique of caste brahmins, the theme of both films was later seen to be rather extreme. In this context it is worthwhile to mention two films made in Tamil on the same subject. Vedam Pudithu directed by P. Bharatiraja and Ore Oru Gramathile by K. Jyothi Pandyan. Both carried strong indictments against caste hierarchy and the common man’s struggle to overcome it, but retained a balance – rather unusual for Tamil films. With government funds available for making films, the seventies saw an unhealthy divide between the existing commercial or mainstream cinema and the new parallel cinema or art films. The former was condemned unequivocally by the critics but continued to fill the coffers while the latter got rave reviews, bewildered the masses and created deep dents in government resources. Fortunately this situation did not last long, for soon there came a crop of film makers who realised that meaningful films need not necessarily incur heavy losses. Shyam Benegal, (Ankur, Nishant, Manthan) proved that there was an audience for films without frills but with a strong story and interesting narration. Govind Nihalani, Jabbar Patel, Mahesh Bhatt, K. Balachander, Bharati Raja, Adoor Gopalakrishnan, all fell into this category. Around this time, the singular phenomenon, the angry young man with his dark looks, smouldering eyes and mesmerising voice, Amitabh Bachchan, began to stride the scene like a colossus. He introduced to cinema for the first time as a cult, the negative or the anti-hero. Special screen plays were written for this hero seeking vengeance and taking on single-handed an unsympathetic establishment and inadequate legal system. The eighties saw the advent of women film makers, Vijaya Mehta (Rao Sabeb), Aparna Sen (36, Chowringhee Lane, Paroma), Sai Paranjpye (Chashme Baddoor, Katha, Sparsh), Kalpana Lajmi (Ek Pal and, later the much acclaimed Rudali), Prema Karanth (Phaniamma) and Meera Nair (Salaam Bombay). The most commendable thing about these directors is their individuality. Their films have strong content and are told with passion, (only Sai has tackled light hearted subjects). In the nineties, Indian cinema faces tough competition from television; the cable network gives viewers any number of channels and though the most popular channels continue to be the film-based ones, the cinema halls have taken a beating. Nevertheless, films like Aditya Chopra’s maiden effort, Dilwale Dulhaniya Le Jayenge and Suraj Barjatya’s Hum Aapke Hain Kaun have broken all records, because they recall the innocence of the fifties, a novelty in this age of sex and violence. This gives hope. Cinema in India can never cease, it has gone too deep into our psyche. It may undergo several reverses in fortune. With other mediums opening up, there will be a smaller market for films. Living as we are in a global village today, we are becoming a more discerning audience. No longer are we going to lap up every mediocre fare dished out by the moghuls of cinema; only the best will survive. And this is just as well.

Sunday, November 10, 2019

“A Doll’s House” by Katherine Mansfield Essay

â€Å"The Doll’s House† is one of the representative stories of Katherine Mansfield. Who is known for freshness of her approach and beautifully colored methods of presenting her ideas. The story basically gives us deep insight into the manners and behaviors of the aristocratic families. Here she ridicules the negative philosophy of social discrimination caused by uneven division of wealth. It beautifully brings out the emotional relationship between the three sisters and their friends. Moreover, it conveys an idea that parents attitude influence their children and deprive them of their natural goodness. In short in life-like manner Katherine tells us the hidden vices people belonging to higher society. From the very outset of the story we see that the girls of Burnell’s family received a beautiful doll’s house from Mrs. Hay. It was a charming house having a drawing room, a dinning-room, a kitchen and two bedrooms. All the rooms had tables, chairs, beds and carpets. The rooms were painted in different colors however Kezia liked the lamp very much, which was placed in the dinning-room. The girls were very excited and wanted to show it to their friends. So the next morning they rushed towards the school but the bell had rung and they could not disclose it to the girls. However, at the playtime, Isabel finally  disclosed the news of the house, which spread like wild fire. If was decided that two girls would see the house at one time. All the girls got an opportunity to see the doll’s house, except the Kelvey sisters, as they belonged to a poor family. So everybody teased them. Being the daughter of washerwoman and jailbird, they were  victim of the inferiority complex. However Kezia wanted then to see the house, so she asked her mother for permission but was harshly scolded. One day she saw the girls passing by the house. As the family was upstairs, she invited them to see the house. They Kelveys could not  believe but stepped into the courtyard, as they naturally wanted to see it.  Suddenly aunt Beryl’s came there and ordered them to leave the house in an insulting manner. They Kelveys ran away from there with the feeling of shame but they were happy to have seen the house. In the end, we can say that the writer has beautifully shown the attitude of the rich against the poor. It is the parents who are responsible for creating inequality in society. Children such as Kezia are scolded because they are innocent and cannot see the difference between the rich and poor.

Friday, November 8, 2019

Acid Drainage essays

Acid Drainage essays Acid mine drainage - causes effects and solutions For hundreds, even thousands of years, human beings have mined for metals and stones, and with the advent of greater technology as well as greater needs, the demands for these resources continue to grow. While these resources benefit our lives in many ways, the effects of mining can be detrimental, and one such effect is the topic of this essay, acid mine drainage (A.M.D.). The causes of A.M.D. will be discussed, along with some of the physical and biological problems associated with it. Some prevention and remediation treatments will also be considered. Acid mine drainage refers to water (leachate, drainage or seepage) that has come into contact with oxidised rocks or overburden that contains sulphide material (coal, zinc, copper, lead). (Keller, 2000; U.S.G.S.; U.S.E.P.A., 2002). A common sulphide is pyrite, or iron disulfide (FeS2), and throughout this essay it will be pyrite that will be the primary sulphide considered. Acid mine drainage is not a new phenomenon, early mining techniques utilized gravity to avoid water pooling, resulting in the water becoming polluted by acid, iron, sulphur and aluminium (U.S.E.P.A., 2002). It is most commonly associated with coal mining, especially with soft coal, coal that has high sulphur content. The pyrite that is present in coal seams will be accessible after surface mining when the overlying surfaces are removed or in deep mines that allow oxygen access to the previously inaccessible pyrite-containing coal (D.E.P. 1, 1997). After pyrite is exposed to air and water, sulphuric acid and iron hydroxide are formed, creating an acidic runoff (D.E.P. 1, 1997; 2 2002). When the water comes into contact with the pyrite, the chemical reactions that take place causes the water to increase in pH which will dissolve heavy metals which stay in solution. However, when the pH levels reach a certain stage, the iron can then precipitate out, coating sed...

Tuesday, November 5, 2019

Chipmunk Facts (Subfamily Xerinae)

Chipmunk Facts (Subfamily Xerinae) Chipmunks are small, ground-dwelling rodents known for stuffing their cheeks with nuts. They belong to the squirrel family Sciuridae and the subfamily Xerinae. The common name of chipmunk probably derived from the Ottawa jidmoonh, which means red squirrel or one who descends trees headlong. In English, the word was written as chipmonk or chipmunk. Fast Facts: Chipmunk Scientific Name: Subfamily Xerinae (e.g., Tamius striatus)Common Names: Chipmunk, ground squirrel, striped squirrelBasic Animal Group: MammalSize: 4-7 inches with a 3-5 inch tailWeight: 1-5 ouncesLifespan: 3 yearsDiet: OmnivoreHabitat: Forests of North America and northern AsiaPopulation: Abundant, stable or declining population (depends on species)Conservation Status: Endangered to Least Concern (depends on species) Species There are three chipmunk genera and 25 species. Tamias striatus is the eastern chipmunk. Eutamias sibiricus is the Siberian chipmunk. The genus Neotamias includes 23 species, mostly found in western North America and collectively known as western chipmunks. Description According to National Geographic, chipmunks are the smallest members of the squirrel family. The largest chipmunk is the eastern chipmunk, which can reach 11 inches in body length with a 3 to 5 inch tail and weigh up to 4.4 ounces. Other species, on average, grow to 4 to 7 inches in length with a 3 to 5 inch tail and weigh between 1 and 5 ounces. A chipmunk has short legs and a bushy tail. Its fur is usually reddish brown on the upper body and paler on the lower body, with black, white, and brown stripes running down its back. It has pouches in its cheeks which are used to transport food. Chipmunks have cheek pouches they fill with food. Frank Cezus, Getty Images Habitat and Distribution Chipmunks are ground-dwelling mammals that prefer rocky, deciduous wooded habitats. The eastern chipmunk lives in southern Canada and the eastern United States. Western chipmunks inhabit the western United States and much of Canada. The Siberian chipmunk lives in northern Asia, including Siberia in Russia and Japan. Diet Like other squirrels, chipmunks cannot digest cellulose in wood, so they obtain nutrients from an omnivorous diet. Chipmunks forage throughout the day for nuts, seeds, fruit, and buds. They also eat produce farmed by humans, including grains and vegetables, as well as worms, bird eggs, small arthropods, and small frogs. Behavior Chipmunks use their cheek pouches to transport and store food. The rodents dig burrows for nesting and torpor during the winter. They do not truly hibernate, as they awaken periodically to eat from their food caches. Adults mark territory with cheek scent glands and urine. Chipmunks also communicate using complex vocal sounds, ranging from a fast chittering sound to a croak. Baby chipmunks are born hairless and blind. legna69, Getty Images Reproduction and Offspring Chipmunks lead solitary lives except for breeding and raising young. They breed once or twice a year and have a 28- to 35-day gestation period. A typical litter ranges from 3 to 8 pups. Pups are born hairless and blind and only weigh between 3 and 5 grams (about the weight of a coin). The female is solely responsible for their care. She weans them around 7 weeks of age. Pups are independent by 8 weeks of age and sexually mature when they are 9 months old. In the wild, chipmunks have many predators. They may survive two or three years. In captivity, chipmunks may live eight years. Conservation Status Most chipmunk species are classified as least concern by the IUCN and have stable populations. This includes the eastern and Siberian chipmunk. However, some species of western chipmunk are endangered or have decreasing populations. For example, Bullers chipmunk (Neotamias bulleri) is listed as vulnerable and Palmers chipmunk (Neotamias palmeri) is listed as endangered. Threats include habitat fragmentation and loss and natural disasters, such as forest fires. Some people keep chipmunks as pets. Carlos Ciudad Photos, Getty Images Chipmunks and Humans Some people consider chipmunks to be garden pests. Others keep them as pets. While chipmunks are intelligent and affectionate, there are some drawbacks to keeping them in captivity. They may bite or become aggressive, they mark scent using their cheeks and urine, and care must be taken to accommodate their hibernation schedule. In the wild, chipmunks generally do not carry rabies. However, some in the western United States carry plague. While wild chipmunks are friendly and cute, its best to avoid contact, especially if they appear sick. Sources Cassola, F. Tamias striatus. The IUCN Red List of Threatened Species 2016 (errata version published in 2017): e.T42583A115191543. doi:10.2305/IUCN.UK.2016-3.RLTS.T42583A22268905.enGordon, Kenneth Llewellyn.  The Natural History and Behavior of the Western Chipmunk and the Mantled Ground Squirrel.  Oregon, 1943.Kays, R. W.; Wilson, Don E. Mammals of North America (2nd ed.). Princeton University Press. p. 72, 2009. ISBN 978-0-691-14092-6.Patterson, Bruce D.; Norris, Ryan W. Towards a uniform nomenclature for ground squirrels: the status of the Holarctic chipmunks. Mammalia. 80 (3): 241–251, 2016. doi:10.1515/mammalia-2015-0004Thorington, R.W., Jr.; Hoffman, R.S. Tamias (Tamias) striatus. In Wilson, D.E.; Reeder, D.M (eds.). Mammal Species of the World: A Taxonomic and Geographic Reference (3rd ed.), 2005. Johns Hopkins University Press. p. 817. ISBN 978-0-8018-8221-0.

Sunday, November 3, 2019

Moneyball Essay Example | Topics and Well Written Essays - 750 words

Moneyball - Essay Example After three outs, the other team gets a chance to bat and the game goes on. At the end, the team grabbing the maximum number of runs wins. This is what the game is all about. A person can be known as a clean hitter and would have a clean chit for over 22 straight games. These are excellent statistics on the paper. But as soon as you step into the field, with over ten thousand pair of eyes gazing you with enthusiasm and envy, your hands will start sweating. Your heart beats increase and your mind races faster than a maglev train. You start thinking about the psychology of the pitcher, the manner he curves the ball in the air, the speed of around 100 miles an hour ball that approaches you like a meteor and the manner in which he last set you out. You gaze at his pasture at the mound and the tired look on his face after pitching for over four hours without a break. What is he going to ball today Will he rely on his best deliveries that he had bowled earlier, or has he experimented with his delivery this time. These are some of the different thoughts that engulf a hitter's mind. They think about the last time they did a clutch hitting. But how is it possible to hit a 100 miles per hour delivery without even looking at its trajectory for less than a micro second Baseball hitter can concentrate on the ball for loner than most oth... ds that are impossible to follow- a player can farthest follow the ball to 5.5 feet in front of the bat; or they watch the first few feet of the ball movement and latter on believed in their instincts to move to they place they expect the ball to go. So, the coach's advice of following the ball till it touches the bat is practically impossible. These are some of the ways that governed the rapid evolution of baseball hitters. The balers only keep one thing in mind- swing the ball in air, clutch it in a manner for the hitter to not understand the trajectory, keep it as close to the body of the hitter as possible and make him attempt the ball in an un orderly fashion to let him out. Getting a miss is like a bonus for them. Both the players have ample amount of challenges therefore. Their carrier can be mended or totally broke down by even one hit or a miss. The players deal with a lot of physical, mental and psychological pressures while playing and can commit mistakes in the interim. But there are no options left for them than not to make any. There is no security for a baseball player, neither of their health or their career nor to their families, if they get injured enough not to play again. The excessive fitness levels expected out of the players are really challenging and all have to abide by the game rules. This is the manner in which the game has progressed and taken this form since its inception in 1344. The baseball organization has a lot of politics involved within. They make offensive strategies and the coach is made to learn that they are not teaching baseball, but are training baseball players. So their main emphasis revolves around the fact that who is doing what, rather than what is done. A good understanding of the game situation is more important in

Friday, November 1, 2019

Charter Research Paper Example | Topics and Well Written Essays - 1250 words

Charter - Research Paper Example APEX brings together all business programs and units for efficiency in running the company as a whole. The Six Sigma Strategy is used by the company to improve its business operations. The improvement project as a whole aims at making sure that these best practices upheld by Raytheon function as they are supposed to for the general well-being of the company. The Program Management College is meant to provide training courses for the company managers and for other employees as well. Raytheon has always faced challenges in phasing out the start-up process of many of its running programs. To improve on this, it has established the Program Start-up process to ensure that every initiated program in the company has more than enough to see to it that it starts on a high note. The Program Management Forum aims at providing opportunities for managers to network and exchange ideas with managers of other companies on the best managerial skills. The management of the company has identified the existence of a gap in its business model whereby they report to the wrong people. This led to the creation of Program Structuring, Learning and Effectiveness to ensure more accountability on everybody’s part. This project is further based on a strong matrix model where reporting is done through integrated business models and cross business teams. These models are aimed at ensuring that the company is effective, efficient, and capable and utilizes its working capacity to the maximum. Raytheon has identified the need to improve its services and products. One of the major reasons for so doing is the rapid increase in the rate of competition for the services and products it offers. The company wants to become the best in the world of defense and information technology, hence the need to roll out a program that will help it to achieve this goal. The company has also established various goals that it wants to